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We are thrilled to introduce the mentors for the Artist-Producer Lab's 2024 season. These knowledgeable individuals are pillars of the Toronto arts ecology, bringing invaluable expertise to our cohort.
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In this blog post, Azeem Nathoo reflects on his journey as part of the inaugural cohort of the Artist-Producer Lab (formerly Artist Producer Training). His experience this summer highlights the our commitment to adaptability, community-driven support, and the ongoing reimagining of processes that better serve independent producers.
We are thrilled to introduce the mentors for the Artist-Producer Lab's 2024 season. These knowledgeable individuals are pillars of the Toronto arts ecology, bringing invaluable expertise to our cohort.
Generator is seeking a New Position to join the team as we continue to experiment with leadership models and program development. We are looking for a collaborative, curious, and passionate individual to join us. You can find the full Job Call here. We have written this blog post to contextualize the current state of Generator and where we imagine this New Position could fit. In the name of transparency, we are sharing this outside of the job call for any and all who are interested in how we structure ourselves.
We have come a long way but not far enough. Inequity, exclusion, and racial disparities at the intersections of the white gaze and white imagination remain systemic as we continue to free ourselves. Theatre and performance art are not exempt from anti-Black racism.
As part of the APT Peer Conversation Project, Maddie Bautista meets with Rebecca Vandevelde (Production Manager at Buddies in Bad Times and founding member of Means of Production) to discuss alternatives to the standard production tech week schedule/timeline.
As part of the APT Peer Conversation Project, Michelle Langille meets with Kat McCormack (Artistic Director, Eastern Front Theatre) in studio, to capture a podcast recording of their conversation about accessibility in theatrical contexts.
As part of the APT Peer Conversation Project, Sehar Bhojani meets with interdisciplinary artist Saba Akhtar, for a conversation and a rumination on race within theatre and storytelling.
As part of the APT Peer Conversation Project, Rinchen Dolma, a past alumni of our APT program speaks with Lucy Coren (theatre producer, creator and dramaturg) about her producing practice and how she came to producing community-based creation. While they converse, the two brainstorm about community engagement on a jam board and even have a budget building jam session.
I’ve never seen anyone’s eyes bulge out of their head harder than when people find out a queer Chinese-Canadian interdisciplinary performance artist just completed a Metcalf internship… In 🥳Executive Direction🎉.
Sorry to the national theatre ecology, but I’m just not built for that life. And I have nothing but respect to those with the patience and stamina who do. Still, despite my emotionless break-up with arts administration, I watched the recorded session of the Paprika Festival’s third Hot Topics series What can the future of Toronto Theatre Look Like? as if I was consistently checking on an ex to see how they were doing.
As part of the APT Peer Conversation Project, Tsholo Khalema meets with Jan Alicia Jennings (Singer, Playwright, Poet, Songwriter, Visual Artist, Art's Facilitator, Dramaterg and Comedian) to discuss creation, art, digital spaces + more in a series of three conversations.
As part of the APT Peer Conversation Project, Maricris Rivera speaks with Kodie Rollan (Artistic Director, Chromatic Theatre) to unpack ways to minimize harm in the creative process and value humans first, before the art.
This is the fourth post in a series of artist responses to the Get on Board: Workshop and Speaker Series by the Creative Champions Network, an initiative of the Toronto Arts Foundation. As a co-creator of the series in 2022/23, Generator has engaged Artist Responders to attend each session, to summarize, reflect and respond to the emerging conversations and activities.
This is the third post in a series of artist responses to the Get on Board: Workshop and Speaker Series by the Creative Champions Network, an initiative of the Toronto Arts Foundation. As a co-creator of the series in 2022/23, Generator has engaged Artist Responders to attend each session, to summarize, reflect and respond to the emerging conversations and activities.
This blog post is all about how art and AI can work together to aid creative processes. We'll talk about ChatGPT - what it is and how it can be used for artistic purposes. We'll also discuss some of the benefits of collaborating with ChatGPT, like getting inspiration and exploring new artistic styles. Of course, we'll also touch on the ethical considerations that come with using AI in art. Plus, some examples of how the author uses AI to support their own artistic work. And at the end, there are some resources to check out if you want to learn more.
JT: “You have to ask for what you want. You can’t just
sit around and expect that everyone’s gonna be like
‘Oh, Julie Tomaino you should do this’. It doesn’t work
that way. There’s too many people in this industry,
especially if you’re an emerging artist, not to be clear on
your goals”
SCENE ONE.
Brianna and Kitoko sit at a table in Mulberry
Coffeehouse. Kitoko leans forward.
(A SILENCE.)
KITOKO
So you’re disabled!
Brianna cackles, her laughter as crisp as the autumn air.
BRIANNA
Yes.
KITOKO
What has it been like for you? Working as an artist while managing your disabilities?
How has the pandemic affected your practice?
Cut to Feb. 22, 2023: I'm watching the Paprika Festival's latest Hot Topics session on "Responsible Storytelling". I'm speaking out loud as though I'm sitting in the live-streamed Zoom room with Santiago Guzman & Donna-Michelle St. Bernard, facilitated by Cheyanne Scott. The three brilliant artists can't hear me snapping or see me nodding, but I want them to know how much their words impact me.
This is the second post in a series of artist responses to the Get on Board: Workshop and Speaker Series by the Creative Champions Network, an initiative of the Toronto Arts Foundation. As a co-creator of the series in 2022/23, Generator has engaged Artist Responders to attend each session, to summarize, reflect and respond to the emerging conversations and activities. In this post, Dedra McDermot (artist-researcher, emerging curator and movement dramaturg) reflects on the Planning for Organizational Health session on February 7th, 2023.
At Generator, we’ve had a long and fruitful history in partnership with Paprika, as our missions, our programming, and our ways-of-working have consistently aligned to consider what support looks like for artists and producers in the early stages of their careers.
‘Care’ is a big topic, and it seems to be on everyone’s minds and in everyone’s hearts within our diverse communities of artistic practice, especially in the context of the current state of world affairs.
In the sixth and final post in our ‘Governance Reimaginings’ series, theatre artist, playwright and former Artistic Director for Shakespeare in the Ruff, Kaitlyn Riordan offers a personal response to a session led by Erin Kang.
After being associated with a certain well-known publication for 25 years, Glenn Sumi has struck out on his own. Here's what he has learned so far.
In the fifth post in our ‘Governance Reimaginings’ series, dance artist and former Co-Artistic Director for Toronto Dance Love-In, Shelby Wright, offers a personal response to a session led by Cynthia Lickers-Sage.
Uncover all of the free and paid learning opportunities, supported by the Department of Canadian Heritage, as well as the four emergency support funds offered to artists in the performance sector.
In the second post in a series of artist responses to the Get on Board: Workshop and Speaker Series by the Creative Champions Network, Aria Evans (interdisciplinary artist, intimacy coordinator, activist, filmmaker, and educator) reflects on the Organizational Culture and the Partnership Between Board and Leadership session on November 23, 2022.
In this first post in a series of artist responses to the Get on Board: Workshop and Speaker Series by the Creative Champions Network, Coman Poon (arts consultant, creation doula, interdisciplinary artist, activist, curator and producer) reflects on the Governance Reimaginings session on October 4, 2022.
In the second post in Generator’s ‘Charting Waters - Transitions in Arts Organizations’ blog series, board member Brendan McMurtry-Howlett reflects on the launching of a leadership hiring process and discusses the timeline that was created by the committee responsible for creating a smooth transition for Generator.
In the fourth post in our ‘Governance Reimaginings’ series, dance/music artist and board member for Toronto Dance Love-In, Sophie Dow, offers a personal response to a session led by Yvette Nolan.
In the third post in our ‘Governance Reimaginings’ series, Shakespeare in the Ruff’s former Associate Artistic Director, desirée leverenz, offers a personal response to a session led by Zainab Amadahy.
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In this blog post, Azeem Nathoo reflects on his journey as part of the inaugural cohort of the Artist-Producer Lab (formerly Artist Producer Training). His experience this summer highlights the our commitment to adaptability, community-driven support, and the ongoing reimagining of processes that better serve independent producers.